主题:  【转贴】一个美女的产生(绘画过程)

daoshi

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#12006/7/25 12:15:13



[b]


Introduction[/b]
After receiving some positive feedback to my last work “yuka” I decided to write a detailed tutorial about creating process. My main goal was to create a painting which was really detailed. I knew that I wouldn’t be able to do it without a real photograph so I started to look for something that would interest me and make me want to spent a lot of hours painting it in photoshop. And I found a perfect picture on
http://img10.picsplace.to/2/yukahanedamaid.jpg

. I received a lot of e-mails saying that it's not a big deal to just paint something like this using a real photograph. What can I say, if you don't like it don't look at it or try to do it and you will see how much time it takes to create it like I did.
Tools

For this work I used Adobe Photoshop CS2 and Wacom Intuos 3 tablet. My hardware spec were: P4 3GHz, 2GB RAM, Quadro FX 1100 graphic card, 17” LCD.
Preparation [/b]
I had to decide with what resolution I want to work. For me 1800x1148 was enough space to work with details I needed to create for this work.

Sketch
I start with creating a sketch in order to define the shapes, which will be later filled in with colours . I will use the following brush settings:



I like keeping everything simple so I will use these brush settings through the whole creating process. I will just change brush hardness and having the sketch done sketch I will turn off “Shape Dynamics”. Later I will explain why I'm using “Pen Pressure Control” for “Opacity Jitter” and “Flow Jitter” in “Other Dynamics”.




Outlining, coloring and shading

[/b]Having created basic shapes I start to put rough color inside.

Instead of focusing on one particular detail I prefer to work on the entire image. For that reason, there is a bit of color everywhere.

At this point, let me explain my choice of “Pen Pressure Control” for “Opacity Jitter” and “Flow Jitter” in “Other Dynamics”. Basically, with those settings I can easily achieve a nice color blending. Using only “Pen Pressure Control” for “Opacity Jitter” it's much harder to achieve nice transitions between colors. Here are some examples of the effects that I have achieved.

Using “Pen Pressure Control” for “Opacity Jitter” and “Flow Jitter” transitions are much smoother to achieve with less brush strokes:

Apart from the above, there are really no more tricks; just a lot of patience, close examining of the real photograph and painting, painting and once again painting.
Let's come back to filling image with colors:

I still have my sketch visible on the top layer to get filled all shapes:

At this point I am going to turn off the sketch layer and start working only with color, shading and highlights:

I slowly shape the image by adding shadows and highlights:

This time, I am going to add more details in the hair area:

Then, I will pass on to the face area:

Now I am going to work a bit on the background (right curtain):

Left curtain and bed:

A bit of work on foreground sheet:

Scenery outside the window, front sheet, left arm and hair:

[b]
Detailing

[b][/b]Having filled the entire image with color, shading and highlights, I can finally move on to detailing.
Brassiere and dress lace:

Dress lace detailing:

Left brassiere detailing:

Right brassiere:

And here comes the final image:

If you have any further question please don't hesitate to contact me via my
website



天马行空

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#22006/7/25 19:31:43
呵呵,好象有人发过的。
还是顶下



深海狂鲨

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#32006/7/27 9:09:48
原来见过,不过这个教程不错。



jiang6413

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#42006/7/27 10:26:13
很好!可惜不会画!!



RUANCAT

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#52006/9/25 23:15:48
…………都是英文看不懂!~~~看懂了也画不出这种效果